CCP’s ‘Dance On’ keeps ballet dancers on their toes during pandemic

The Cultural Center of the Philippines (CCP) has initiated a special program to support professional dance in the Philippines as the COVID19 pandemic continues to ravage the live performance and entertainment sector, with no clear end.

Called “CCP Professional Dance Support Program,” it aims to limit and mitigate the most likely deterioration of skills, techniques, and performance excellence of the Filipino dancers, while providing them with continued artistic employment and discouraging their shift to other occupations due to absence or reduced opportunities in dance, the CCP said in an announcement.

The artists of the CCP Professional Dance Support Program will perform new and classical works choreographed and restaged by Filipino choreographers and regisseurs, mentored by National Artist for Dance, Alice Reyes, Alden Lugnasin, and Nonoy Froilan, as their culminating activity.

The artists of the CCP Professional Dance Support Program are composed of artists of the CCP Dance Workshop and artists courtesy of Ballet Manila and Philippine Ballet Theater as well as regional dance artists.

Collectively known as “Dance On!,” the culminating performances can be viewed via the CCP Facebook page and YouTube channel starting October 3. With the aim to showcase Filipino talents in dance and choreography as well as expand and share Filipino dance culture to a wider audience, the program is shot specifically for the enjoyment of digital viewing.

Showcasing classical ballet with varied dance styles, the program allows never-before-seen works and reimagined classics to be accessed by not only patrons of the arts but also those who may experience it for the first time via online streaming.

Victor Ursabia restages “Le Corsaire,” after the classic choreographies by Joseph Mazilier and Marius Petipa; while Eugene Obille does “Grand Pas de Quatre” following after Jules Perrot.

Erl Emmanuel Sorilla, mentored by Alden Lugnasin, poses the question how one does truly live in “Musa.” Inspired by wabi-sabi, Patrick John Rebullida, with the mentorship of Nonoy Froilan, presents “Light, at the end of.”

Mentored by Alice Reyes, John Ababon explores the intricacies of love in “Inlababo,” and the ups and downs of life in “In The Midst Of Overcoming.”

Ronelson Yadao choreographs and performs “Headspace”; Biag Gaongen explores the unconventional use of point shoes in “Re-Form.” Both artists are also mentored by Alice Reyes.

Lester Reguindin finds inspiration from the speech of young environmental activist Greta Thunberg at the UN Climate Action Summit 2019 for “Now”; while JM Cabling reimagines the mind of a quiet person in “I Wanna Say Something.”

Bringing to life the choreographies are artists of the CCP Dance Workshop, John Ababon, Al Frederick Abraham, Sarah Alejandro, EJ Arisola, Luigie Barrera, Ricmar Bayoneta, Danilo Dayo Jr., Monica Gana, Bonifacio Guerrero Jr., Gianna Hervas, Victor Maguad, Eugene Obille, Justine Orande, Ace Polias, Lester Reguindin, Katrene San Miguel, Stephanie Santiago, Karla Santos, Erl Sorilla, Joanne Tangalin, Jessa Tangalin, and Ronelson Yadao, as well as Kazier Policarpio, Alexis Piel, Gladys Baybayan and Ma. Regina Magbitang, courtesy of Philippine Ballet Theatre, and Rissa Camaclang and Nicole Barroso courtesy of Ballet Manila.

For more information, check out the CCP website (www.cultural and follow the official CCP social media accounts on Facebook, Twitter and Instagram.

The CCP Professional Dance Support Program participants and staff follow strict protocols to ensure the health and safety of all involved. ##

CCP Photos

#CCP #Dance #AliceReyes #Ballet

Leave a Reply

Please log in using one of these methods to post your comment: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s